François Boucher'nin Eserlerinde Çin Kültürü Etkisi
Yazarlar (2)
Prof. Dr. Meliha Yılmaz Gazi Üniversitesi, Türkiye
Dr. Öğr. Üyesi Sofya Cihan CANBOLAT Kastamonu Üniversitesi, Türkiye
Makale Türü Açık Erişim Özgün Makale (MLA dergilerinde yayınlanan tam makale)
Dergi Adı HUMANITAS - Uluslararası Sosyal Bilimler Dergisi
Dergi ISSN 2147-088X
Dergi Tarandığı Indeksler MLA, EBSCO, CEEOL, ASOS, TEİ, COPERNICUS
Makale Dili Türkçe Basım Tarihi 03-2019
Cilt / Sayı / Sayfa 13 / 7 / 22–35 DOI 10.20304/humanitas.445427
Makale Linki http://dergipark.gov.tr/doi/10.20304/humanitas.445427
Özet
Chinoiserie is an eighteenth-century style ranging from painting to textile, furniture to interior decoration, and so on. Rokoko, one of chinoserie’s most prominent periods, influenced many artists. Among these artists, François Boucher produced works reflecting China's views of art and culture. The present study investigates the ways in which François Boucher was influenced by Chinese art and how the understanding of Chinese art and culture was reflected in the works of art. A comprehensive literature survey was carried out in order to collect data. As a result of literature surveys, 10 influential Chinoiserie works by François Boucher were studied. Chinese-specific figures, clothing, blue-white porcelain, pagod, Chinese temples, as well as the Chinese culture of the small pavilions with curved roofs, garden huts, used for protection from burning air as well as elements such as umbrella can be seen in the artist's …
Anahtar Kelimeler
BM Sürdürülebilir Kalkınma Amaçları
Atıf Sayıları
Google Scholar 1
François Boucher'nin Eserlerinde Çin Kültürü Etkisi

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