Investigations of Painting Techniques: Edirne Süleyman Pasha Mosque Wall Paintings
Yazarlar (6)
Doç. Dr. Ezgin YETİŞ Kastamonu Üniversitesi, Türkiye
Murat Eroğlu Kastamonu Üniversitesi, Türkiye
Prof. Dr. Bekir Eskici Ankara Hacı Bayram Veli University, Türkiye
Prof. Dr. Mahmut GÜR Kastamonu Üniversitesi, Türkiye
Doç. Dr. Kıymet Deniz Yağcıoğlu Ankara Üniversitesi, Türkiye
Prof. Dr. Yusuf Kağan Kadıoğlu Ankara Üniversitesi, Türkiye
Makale Türü Özgün Makale (SSCI, AHCI, SCI, SCI-Exp dergilerinde yayınlanan tam makale)
Dergi Adı Studies in Conservation (Q4)
Dergi ISSN 0039-3630 Wos Dergi Scopus Dergi
Dergi Tarandığı Indeksler SCI-Expanded
Makale Dili Türkçe Basım Tarihi 06-2023
Cilt / Sayı / Sayfa 68 / 4 / 418–431 DOI 10.1080/00393630.2022.2052642
Makale Linki http://dx.doi.org/10.1080/00393630.2022.2052642
UAK Araştırma Alanları
Organik Kimya
Özet
Decorative wall paintings created in the Ottoman era are called kalem işi, and they are generally created using various pigments and binding media on dry rendering, or via lime-paint technique. However, detection of some decorative wall paintings that were applied on wet plaster in Süleyman Pasha Mosque located in Edirne, Turkey, has led to a more detailed analytical examination. Our study aims to research the techniques used on some painting fragments which were found while removing cement renderings during the restoration of the Mosque. The fragments were revealed in 2019 and were taken under protection as these were stylistically different from the existing paintings of the Mosque. The original location of the fragments on the wall could not be located and in situ conservation is not possible, but research continues. Initially, traces of preparatory drawing, which is thought to be the incising technique …
Anahtar Kelimeler
confocal Raman spectroscopy | fresco | FTIR | kalem işi | Ottoman wall paintings | PED-XRF | SEM-EDX