Yazarlar (6) |
![]() Kastamonu Üniversitesi, Türkiye |
![]() Kastamonu Üniversitesi, Türkiye |
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![]() Kastamonu Üniversitesi, Türkiye |
![]() Ankara Üniversitesi, Türkiye |
![]() Ankara Üniversitesi, Türkiye |
Özet |
Decorative wall paintings created in the Ottoman era are called kalem işi, and they are generally created using various pigments and binding media on dry rendering, or via lime-paint technique. However, detection of some decorative wall paintings that were applied on wet plaster in Süleyman Pasha Mosque located in Edirne, Turkey, has led to a more detailed analytical examination. Our study aims to research the techniques used on some painting fragments which were found while removing cement renderings during the restoration of the Mosque. The fragments were revealed in 2019 and were taken under protection as these were stylistically different from the existing paintings of the Mosque. The original location of the fragments on the wall could not be located and in situ conservation is not possible, but research continues. Initially, traces of preparatory drawing, which is thought to be the incising technique … |
Anahtar Kelimeler |
Ottoman wall paintings | kalem isi | fresco | FTIR | PED-XRF | SEM-EDX | confocal Raman spectroscopy |
Makale Türü | Özgün Makale |
Makale Alt Türü | SSCI, AHCI, SCI, SCI-Exp dergilerinde yayınlanan tam makale |
Dergi Adı | STUDIES IN CONSERVATION |
Dergi ISSN | 0039-3630 Wos Dergi Scopus Dergi |
Dergi Tarandığı Indeksler | SCI-Expanded |
Dergi Grubu | Q4 |
Makale Dili | İngilizce |
Basım Tarihi | 05-2023 |
Cilt No | 68 |
Sayı | 4 |
Sayfalar | 418 / 431 |
Doi Numarası | 10.1080/00393630.2022.2052642 |
Makale Linki | https://doi.org/10.1080/00393630.2022.2052642 |