| Yazarlar (1) |
Prof. Serkan İLDEN
Kastamonu Üniversitesi, Türkiye |
| Özet |
| In his historical development, mankind was constantly influenced by the nature and social environment in which he lived, and hence acquired various emotional and cultural gains. With these gains, he has been in constant reckoning in art fields as well as in every moment of life with the environment that he is a member of, and he fights with himself, to become an individual. This calculation has been in the form of telling the artist himself against everything, all kinds of objects and beings around him, in which he is also involved. In addition, the society in which he lives has caused him to impose new meanings and values, such as the effort to reflect his values, fears and beliefs or to oppose all of them. Such meanings and values that he uploaded to the object and to the object have brought the artist to the point where he lived. The human body has also become the most effective object in which the artist takes advantage of the process of self-identification and formalization. In this way, the human body has taken an important place in the works of art which is the creator of the artist. But the human body is considered to be an object that must be covered in societies where monotheistic religions are particularly influential, |
| Anahtar Kelimeler |
| Bildiri Türü | Tebliğ/Bildiri |
| Bildiri Alt Türü | Tam Metin Olarak Yayınlanan Tebliğ (Uluslararası Kongre/Sempozyum) |
| Bildiri Niteliği | Alanında Hakemli Uluslararası Kongre/Sempozyum |
| Bildiri Dili | Türkçe |
| Kongre Adı | Uluslararası Kültür, Sanat ve Toplum Sempozyumu |
| Kongre Tarihi | 18-10-2018 / 20-10-2018 |
| Basıldığı Ülke | Türkiye |
| Basıldığı Şehir | Van |
| Bildiri Linki | http://www.cassymposiumvan.com/Album/Tam_Metin_Kitapcik.pdf |
